…When Japa turns grim and funny

AFTER a successful Easter performance at Kininso Hub, Oregun, and later the Brighton Fringe in the UK, Langfield Pictures’ The Embalmer Inside returned to Lagos Fringe, held from November 18 to 23.

The play, written by Alice Shogbesan, produced by Langfield CEO Yemi Olanrewaju, and directed by Babatunde Mayokun, tackles the pressing dilemma of “Japa” (migration). It argues that strict Western policies and hostile rhetoric deeply affect migrants, while also showing how humour can illuminate these harsh realities.

Central to the play’s power is the producer’s choice to approach this heavy issue with humour. Humour doesn’t dilute the seriousness; it sharpens the impact by making the complex, painful realities of migration accessible to the audience.

Adedotun, seeking a better life in the UK, becomes a mortuary attendant. He grows emotionally exhausted and disenchanted. During his night shift, a presumed-dead Nigerian woman named Mariam suddenly returns to life. Rather than panicking, Adedotun talks to her, bringing up migration, mental health, cultural pressures, and emotional suppression.

Mariam’s story closely parallels Adedotun’s own: she, too, is a migrant crushed by the demands and realities of life abroad. Their interaction evolves into a haunting yet therapeutic exchange, blending dark humour, honest confessions, and music. Together, they reflect on life in the UK, the heavy expectations imposed by loved ones back home, the strain on mental health and relationships, and the certainty of death.

Their dialogue becomes a tool for demonstrating the play’s argument: Mariam guides Adedotun, whose mental health is declining, illustrating the importance of resilience, communication, and support in the face of migration’s challenges.

Olanrewaju’s humour illuminated a sombre theme and drew a positive audience reaction. “We know life in the West, especially the UK, can be hard. We didn’t come to be reminded of that again,” said audience member Ire Ayinde. “We wanted enjoyment, and I’m glad the producers used humour throughout.”

The producer agreed, explaining, “People don’t want to leave plays feeling sad. We tell a tough story, but we want our audience uplifted. That’s why we use humour while covering topics like neglect and mental health.”

He emphasised that the play’s main message is about safeguarding mental health amid migration pressures. While relocating can offer opportunities, migrants should realistically prepare for difficulties and seek support. Balance and resilience are vital for well-being abroad.

Olanrewaju originally planned another show for the Lagos Fringe. Yet, due to positive feedback in Brighton, he brought The Embalmer Inside to Lagos.

Precious Ojo, reflecting on the demanding two-person play, said the key message is about communication and openness: Adedotun’s struggles highlight the need for couples to check on each other’s happiness and openly discuss issues, especially when making major life changes like migration.

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