“The jury unanimously awards the inaugural Henrike Grohs Art Award to Em’kal Eyongakpa for his poetic, subtle and subjective approach. His work expresses universal concerns of humanity. The multidisciplinary stance of his practice that includes knowledge derived from science, ethnobotany, magical realism, experimentation and utopia, aptly responds to the core values of the Henrike Grohs Art Award.” The jury members included Koyo Kouoh, Laurence Bonvin, Raphael Chikukwa and Simon Njami.
Eyongakpa is an intermedia artist who approaches the experienced, the unknown, as well as collective histories through a ritual use of repetition and transformation. His recent ideas increasingly draw from indigenous knowledge systems and aesthetics, ethnobotany, applied mycology as well as technology in his explorations of the personal and the universal.
He is also known for self-organised community research projects and autonomous art hubs like KHaL!SHRINE in Yaoundé (2007-2012) and the recently launched sound art and music platform Efúkúyú. He holds degrees in Plant Biology and Ecology from the University of Yaoundé and was a resident at the Rijksakademie in Amsterdam.
The artist’s work has recently been exhibited at the Jakarta Biennale (2017), the 13th Sharjah Biennial (2017), La Biennale de Montreal (2016), the 32nd Bienal de São Paulo (2016), the 9th and 10th Bamako Encounters (2011, 2015), the 10th Biennale de l’artafricaincontemporain, Dak’art (2012) and at several international art spaces and museums around the world.
The Henrike Grohs Art Award is a biennial prize dedicated to artists who are living and working in Africa and practicing in the field of visual arts. It recognises the lifetime achievements of the former Head of the Goethe-Institut in Abidjan, Henrike Grohs, who was killed on March 13, 2016 in a terrorist attack in Grand-Bassam, Côte d’Ivoire.
President of the Goethe-Institut, Klaus-Dieter Lehmann said: “We have not only lost a highly esteemed and beloved colleague in Henrike Grohs but also a person who carried hope into the world with her beliefs and actions. Therefore, it is of particular importance to link the memory of Henrike Grohs to a viewpoint that reflects her work and desires. This has come to fruition in the prize, as it promotes the cause of Henrike Grohs: To support African creative artists and make a contribution towards international dialogue. I would like to congratulate the first prize winner Em’kal Eyongakpa with whom, after an intensive selection process, the judges have made an excellent choice.”
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