THE Chief Executive Officer of Artifact Gallery, Jinadu Toyin, has expressed hope for recognition and support after unveiling a giant portrait of President Bola Tinubu during the 2024 Democracy Day celebration in Abuja.
The President’s portrait was unveiled at Eagle Square last year amidst fanfare and commendations from eminent Nigerians, including ex-Ogun State Governor Chief Olusegun Osoba.
Thirty-seven artists from states across the federation and the FCT worked on the project conceived and bankrolled by Toyin.
Speaking about the masterpiece—now safely in storage—Toyin described it as a labour of love driven by extraordinary sacrifice.
“This self-funded project started as a dream to celebrate leadership, inspire national unity, and elevate Nigeria’s cultural heritage. When funding fell short, I made the difficult choice to sell personal assets, including cars, to see it through,” he revealed.
During the Democracy Day celebrations, the towering artwork was a testament to Nigeria’s creative talent and resilience. However, Toyin lamented the lack of recognition from the presidency despite the project’s scale and the artists’ dedication.
“This masterpiece, created through immense effort and patriotism, deserves acknowledgement—from art enthusiasts and the leadership it was meant to honour. The silence raises questions about how we, as a nation, value and support our creatives,” he said.
Asked if he expected compensation when he started the project, Toyin said, “The project was never initiated for financial gain. It was driven by a desire to honour leadership, celebrate Nigerian artistry, and inspire unity. However, recognition and support from the presidency or stakeholders were naturally hoped for, given the scale and significance of the work.”
On why he sold his assets to complete a non-commissioned work, Toyin said: “The vision was too important to abandon, even when faced with financial challenges. I believe in the potential of this artwork to inspire Nigerians and elevate our cultural heritage. Selling my assets, including cars, was necessary to bring it to life.”
Toyin further noted that “acknowledgement of the artwork and the sacrifices behind it would validate the dedication and creativity of those involved. It also conveys that Nigeria values and supports its artists and cultural initiatives.”
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