Acting about interpreting stories that heal, challenge, inspire—Oreofe Olubajo

In the ever-evolving landscape of British theatre and film, fresh faces emerge with stories of grit, growth, and passion. Among them is a rising Nigerian talent carving his path from the classroom to the stage and onto screens, both big and small.

A student of the renowned Identity School of Acting in London, his journey from novice to advanced actor in under two years reflects a blend of relentless commitment, spiritual conviction, and artistic sensitivity.

Originally from Nigeria, this young performer’s move to London marked not just a geographical shift, but also a step into the heart of his calling. Enrolling at Identity School of Acting, known for shaping talents like Letitia Wright and John Boyega, he embarked on an intense and transformative journey. In less than 24 months, he advanced through the school’s tiers, not just as a student, but as a passionate artiste hungry for craft, character, and meaning.

“I came in knowing little,” he shared, “but I was determined to learn everything. I wanted to understand what makes a character breathe, what makes a performance feel alive.”

But it’s in storytelling that his true gifts flourish. In the short film “The Battlefield of the Mind,” he delivers a moving performance that explores spiritual and psychological warfare, the lies we’re told by our own inner critics, our demons, and the journey to self-liberation through faith. The film, which draws on deep Christian themes, resonates with his own beliefs.

“It’s about truth,” he explained. “About recognising the voice of God versus the voice of doubt. That project meant a lot to me.”

His most recent work involves another short film, “Objection”, a bold exploration of themes like marriage and betrayal. The film doesn’t shy away from emotional complexity, and neither does he.

“Acting isn’t just about being seen,” he says. “It’s about being used. It’s about telling stories that heal, challenge, and inspire.”

His theatre work backs that up. On stage, he’s already taken on a range of complex and varied roles. In Neil LaBute’s provocative play “The Shape of Things,” he played Adam, a role that demands emotional vulnerability and explores themes of manipulation and identity.

Before that, he starred in “Against the Tide,” a showcase of diverse scenes unified by a theme of resistance and resilience, where he shone as a grounded, emotionally raw presence.

Most recently, in a production of Chekhov’s “Uncle Vanya,” he played Dr. Astrov, a philosophical character torn between idealism and disillusionment. From contemporary British grit to classic Russian melancholy, he demonstrates range far beyond his years in the craft.

With a grounded style and deep emotional intelligence, Oreofe doesn’t chase fame. Instead, he’s building something lasting: a body of work that reflects both his Nigerian heritage and his London experience.

His next steps include more screen work and aspirations to write and produce original stories. He’s especially drawn to narratives that center healing, identity, and faith in a secular world.

“We’re all looking for something and I think film and theatre can be that mirror, showing us who we are but also who we could become.”

READ ALSO: Why I took a break from acting — Nkechi Blessing