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Home » The everyday lessons Kannywood owes society
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The everyday lessons Kannywood owes society

Tribune Online
July 21, 2026
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By Ibrahim A. Gurin

THE Kannywood film industry is more than an entertainment industry. It has become one of the most powerful cultural influences in Northern Nigeria. The stories it tells shape how people think, speak, and sometimes even behave. Characters become role models, and the habits they display often find their way into everyday life. That is why this is a respectful appeal to directors, producers, and scriptwriters: as you entertain millions, also seize the opportunity to promote simple habits that make our society safer, healthier, and more compassionate. One of the simplest ways to save lives is also one of the most overlooked. Wearing a seat belt should not depend on the distance being travelled. Whether someone is driving to the market, taking children to school, or travelling across states, everyone in the vehicle, including those in the back seat, should buckle up before the journey begins. Unfortunately, films often show characters jumping into cars and driving away without fastening their seat belts.

This unintentionally sends the message that seat belts are optional. Imagine the opposite: respected characters calmly fastening their seat belts before starting the engine, reminding passengers to do the same. Such scenes require only a few seconds but can influence millions of viewers. Also, modern driving is increasingly threatened by distracted driving. Many people believe it is harmless to answer a quick call, read a message, or reply to a text while driving. Others assume it is safe to use their phones while waiting at a traffic light. In reality, distraction can be deadly. Safe driving means the phone stays out of the driver’s hands until the vehicle has been parked safely. Showing heroes who ignore incoming calls while driving or politely tell callers, “I’ll call you back when I’ve stopped,” promotes a powerful message without interrupting the story.

READ ALSO: Immoral act: Kano censorship board suspends two Kannywood actors

Additionally, food is central to many Kannywood stories. Family meals, celebrations, and traditional gatherings are common scenes. Yet one simple habit is often overlooked: washing hands properly before eating or preparing food. Handwashing properly remains one of the most effective ways to prevent many infectious diseases. A brief scene showing a family washing their hands before sharing a meal can quietly reinforce a healthy practice that protects entire households. Mental health is another area where Kannywood can make a real difference. Too often, emotional struggles are portrayed only as spiritual attacks. Faith is important, but so are counselling, medical care, and family support. Showing them together would reflect real life and encourage more understanding. Furthermore, people living with disabilities deserve to be represented with dignity and authenticity. Too often, disability is used merely as comic relief, a symbol of helplessness, or a tool to evoke pity.

Real life tells a different story. Across Nigeria, people with disabilities are teachers, entrepreneurs, professionals, artists, students, parents, and community leaders. They contribute meaningfully to society and deserve to see themselves represented fairly on screen. Inclusive storytelling means giving characters with disabilities meaningful roles, realistic ambitions, and complete personalities—not defining them solely by their disabilities. Social change does not always begin with government policies or public campaigns. Sometimes it begins with everyday habits becoming normal. This is why I hope Kannywood filmmakers become more intentional about the habits they put on screen. The greatest impact may not come from dramatic speeches or moral lectures, but from ordinary characters consistently doing the right thing.

After all, audiences often imitate what they repeatedly see. Sometimes, the lessons we never intended to teach become the ones the world remembers the most.

•Gurin is a graduate of mass communication from Bayero University, Kano.


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