THE year 2020 will continue to go down in history, as people from all over the world came to reality with the dreaded Coronavirus. Coronavirus, also known as COVID-19 is a new strain of virus that was discovered in Wuham City, China in 2019. It is a highly contagious virus that is transmitted via cough, saliva droplets, discharge from the nose and others. It resulted in the death of millions of people and was declared a pandemic by the World Health Organisation (WHO) on March11, 2020.
Countries across the globe put in place measures at combating the spread and effect of the dreaded virus. One of the measures is the declaration of a lockdown order whereby movement of people was restricted. This article however focuses on the impact of the pandemic on the preservation of tangible cultural heritage.
Cultural heritage is the legacy that is inherited from ancestors, maintained in the present and bestowed for the benefit of future generations (Admin, 2017). They can be tangible cultural heritage (such as objects, buildings, monuments and artefacts) and intangible cultural heritage (such as festivals, rituals, music and dance). Cultural heritage connects us to our past to certain social values, beliefs, customs and traditions that allow us to identify ourselves with others and bind us together in unity. Its preservation enhances continuity of our heritage to future generations, economic and social development, create employment, foster peaceful co-existence and unity, hence the need for preservation.
Two ways by which they can be preserved include preventive conservation: This is an indirect action aimed at increasing the life expectancy of objects and collections (Vantaa: 2000) which involves regular maintenance of objects and monuments in line with Venice charter, while curative conservation involves direct actions taken to treat deteriorating/ infected objects or artefacts to minimise deterioration. These procedures are usually carried out by professionals such as a conservator. However, as the COVID-19 lockdowns/restrictions affected conservators and heritage professionals, it had great impact on regular maintenance of objects, monuments, heritage site and artefacts, exposing them to dust, rodents, insects, microorganisms and fungi attack.
The impact was also felt due to absence and inadequate security personnel on ground, given rise to theft, vandalisation and illicit trafficking. Most programmes and activities aimed at preservation of cultural heritage were postponed, cancelled or held in low key. Example is the postponement of onsite inspection/ conservation work that was to be carried out in Osun Osogbo Grove in 2020.
The relaxation of the lockdown/ restrictions, which allows higher cadre officers to go back to work, even as at that, regular routine maintenance could not be achieved, as the number of conservators/ professionals on ground were few.
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