Akpabio/Nunieh: Of s*x and sleaze in high places

WATCHERS of the flick of lurid but disgusting theatre in the Niger Delta Development Commission (NDDC) starring Minister of Niger Delta, Godswill Akpabio and erstwhile Managing Director of the commission, Ms. Joy Nunieh, were served a menu of at least three blockbuster films, for the price of one. On the menu were the following: s*x and power game in high places; monumental heist and a sneak preview of the rapacious bleeding of Nigeria by her elected representatives.

Served a la carte, this scintillating thriller however came in the form of allegations. The allegations, let loose during an Arise TV interview programme last week in Abuja, affirmed indeed that hell hath no fury like a woman scorned. Nunieh, summoned by the House of Representatives committee investigating alleged mismanagement of N40 billion by the Interim Management Committee (IMC) of the NDDC, turned into the proverbial canary and sang.

Bold, assertive and a lioness to the core, Nunieh seemed to be atop her game. In her narrative of the NDDC under her watch, she carefully slung manacles on Akpabio’s wrists. On the front burner of her allegations were s*xual harassment, leading to her allegedly dealing the former Akwa-Ibom governor a dirty slap. Equally lurid but disgusting was Nunieh’s allegation that the minister attempted to inflate the NDDC budget and sneaked 30 contracts into it which included one on water hyacinth.

When Akpabio appeared on the Arise TV channel with his own tremor-like but vengeful ballistics, if you didn’t love the soiled apron worn for him by Nunieh, you would at least love his smart, cool operator mien. Armed with documents, he also immediately transmuted into a canary: Nunieh lacked requisite temperament for the office she occupied; she was not qualified ab initio to be in the office as she evaded the mandatory NYSC service. Like every cool operator, Akpabio however lapsed into the fallacy of abusive ad-hominem, an ancient fallacious argument which is also called argumentum ad hominem. Briskly but rudely, he veered into the realm of crooked thinking by suggesting that Nunieh’s “temperament” must have been due to her multiple betrothals.

Invite her four former husbands to give evidence of her temperament, Akpabio thundered. But, what had Nunieh’s alleged marital adventures got to do with allegations of rank corruption against the Honourable Minister? The pitfalls in this fallacious path of argument of Akpabio’s is that, though the speaker thinks they are deploying it as a rhetorical strategy by attacking the character, motive, or other attributes of their interlocutor, they are detracting from acceptable rules of engagement. Rather than attack the substance at issue, they sidetrack genuine debate and spin diversionary and irrelevant, even if extraneous issues. Ad-hominem could even be a cover-up for culpability.

But why did Nunieh throw the s*x card in this tango? To my mind, this terribly disfigures and indeed, makes her case against Akpabio very wonky. Did she attempt to play the ex-World Bank President, Dominique Strauss-Kahn/New York maid s*x card to curry sympathy to her side? This is because, like Akpabio’s multiple husband allegation, flaunting a yellow card of s*xual harassment at that juncture was unnecessary and in fact makes her suspect. Was Arise TV a police station where s*xual harassment allegations are lodged? How come that allegation had to rear its ugly head five long months after Akpabio sacked Nunieh in February, 2020?

With this, Nunieh looked no less culpable of spinning a diversionary ad-hominem alien and irrelevant to her submission. This is because, as gripping as her highly believable revelations are and perfectly fitting into the profiling of the voracious  Nigerian political elite who mindlessly devour Nigeria like an army of cankerworm, the fact that her fury led her into making such allegation which sounded like sympathy-currying for her perceived weak female gender, makes her potentially suspect.

Akpabio however threw his own riposte. Watching him on that Arise TV programme, you would be pardoned perceiving him as guiltless of Nunieh’s allegations against him. Also, you most probably would get no recrimination if his suavity makes you conclude that he was just a typical Smart Alec, an able representative of the smooth crook class that Nigerian politicians really are. Akpabio appeared on that programme, borrowing the lingo of the streets, as cool as cucumber.

Both Akpabio and Nunieh can however not escape from the grave charge that, in the last 20 years, they are part of the Niger Delta elite who mindless underdeveloped the Niger Delta. No one would again listen to those Ken Saro-Wiwa-like agitationist narratives that Nigeria kept the Niger Delta down. Nigeria had funneled trillions of Naira into the Niger Delta and such humongous funds have been trapped in the gluttonous private pockets of Niger Delta elite and their accomplices. Until the people of the Delta begin to pelt their sons and daughters with stones for how they worsen their already sorry plights, the world may be impatient to hear their cries of woes.

The massive rot in the NDDC in the last 20 years is as brackish as the polluted rivers of the Niger Delta. This is why the news that the Muhammadu Buhari government had commissioned a forensic probe of activities in the NDDC, from 2001 till date, should ordinarily be gladsome. As an aside, this audit is needed in the NNPC, another Nigerian fetid basket of maggots, as well. However, when one realizes that this same government has been implicated severally for its timid will to purge the system of leeches and offering self as a nest for corrupt but favoured government officials and accomplices, the initial excitement of the probe would fizzle out.

By the close of last week, the melee threw up another pointer that Nigeria is running a banana republic, a pejorative description of mindless lawlessness and dictatorship. A few days after the Arise TV spat, over a dozen stern-looking security personnel reportedly stormed Nunieh’s Port-Harcourt home at about 4am. They were even alleged to have forcefully broken into the house like armed robbers. Amidst the back and forth, Rivers’ gruffy countenance, gruff-voice governor, Nyesom Wike, stormed Nunieh’s home, spirited her inside his official car and drove her away like some movie mafia Capone.

Why would the authors of this daybreak invasion target Nunieh for arrest on a day she was to give evidence before the House probe committee? What offence had she committed between the time of her first appearance at the committee and time of her attempted arrest?

In saner societies, Akpabio ought to have been asked to step aside as minister to pave way for an unbiased investigation. But, has that ever happened in Nigeria ?

 

Arotile: Mi Lord, permit me to cross-examine death

When death strikes, there is no allowance for cross-examination by any lawyer, Ayinla Omowura, Yoruba’s Apala musician, sang in a tribute to a Joseph Osowumi, which he rendered as bi’ku ba de, ko si loya ti o s’ojuse… No, permit me to cross-examine this offender, Mi Lord!

News of the death of first Nigerian female combat pilot, Tolulope Arotile hit me. You cannot but be downcast on hearing the news of such passage. I was. It shook the entire country. It could not but be so. Arotile was like an oasis in a desert of bad news that had become the middle name of Nigerian youths. So there is such a class of brilliant, committed and patriotic young people here, at a time when all we see is ferment and hopelessness? So people still envision legitimate greatness and work towards it like this young pilot did, achieving renown and garlands at such tender age? So Nigerian youths are not all about internet scam, fraud and silly and slavish thirst to go abroad?

Arotile’s death drew me into the barren rhetoric of questioning human existence all over again. Why did she have to die and not any one of those disreputable fellows who are engaged in illicit scams? Judging by the unholy antecedents of power equations, could Arotile have been parceled for her death as alleged in some quarters? If this is so, why would God allow this machination against a promising icon to fructify?

Whenever I am in a bind about needless deaths like this, I run to philosophy. I have mopped up enough epistles about death from the holy writs that don’t just add up, as they have grossly failed to assuage me. I have heard that being finite, when human beings die, existence continues beyond death and as such, Tolulope may be on a higher assignment from her Maker. This, both theology and philosophy agree, is so since assignments after death have higher and greater value than being in this world.

On why such a young flower like this must wither at plumule, I have heard Martin Heidegger, (1889-1976) in his bid to show that we are a “being toward death” say that, “As soon as we are born, we are old enough to die.” Yet, I am not satisfied. Seeking to satisfy me was Karl Jaspers, the German-Swiss psychiatrist and philosopher’s position about why Arotile had to die. Death is not the absolute end of the human being, he says, and a human being isn’t merely a physical entity. He is a deathless being, said Jaspers.

To tell you the truth, I am still not satisfied. It is easier to put up with the deaths of human beings who have gone past their prime and have discharged enough assignments on this earthly journey. Indeed, the exit of those whose existence cause pain to mankind is even good riddance to bad rubbish. Not this Amazon, this heroine and a potentially great woman brutally cut down in her prime.

We must find out if indeed Arotile’s Maker willingly called her for a greater assignment. Or that she was wickedly pulled out from this miserable meal that mankind calls an engaging cuisine. Could she have been killed for revenge, to stop her rise in the dog-eat-dog military profession or to revenge her affront against Nigerian enemies in her strike from the air against insurgents?

It is heartwarming that the Nigerian Air Force has promised to probe Arotile’s death. After writing this last sentence which sounded as comforting as the melody of a banjo, I laughed at my own foolishness. What came out of Attorney General of the Federation, Ajibola Ige’s murder? What came out of the murder of security operative son of Niyi Oniororo in circumstances almost similar to Arotile’s, some twenty-something years ago? Haven’t I lived long enough in Nigeria to know that good is never requited and bad never gets retribution?
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A session with Alake of Egbaland, Oba Gbadebo

ON July 10, 2020, I was at the Ake Palace, Abeokuta, Ogun State, received by His Royal Majesty, Oba Adedotun Gbadebo. Being the “father” of the subject of my book, Ayinla Omowura: Life and Times of an Apala Legend, Oba Gbadebo and so many people who have received my 537-page book have been excited at how “an alien” like me, not hailing from the ancient city of Abeokuta, chose to choreograph the life history of an Egba musician. While research of that hue is not author’s locale-specific, I have submitted that I hold and without apology too, that Ayinla’s art and his prodigy were far greater than any other musician of post-colonial Nigeria’s. I chose him because I found his artistic engagement nourishing and unique and in dire need of documentation for posterity.

On that visit, retired top brass soldier-turned monarch, Oba Gbadebo, threw his doors open to me and revealed that his mother also hailed from Ayinla’s Kopa homestead. He held the book like a treasure and demonstrably too.

After meeting the revered Alake, the warm reception took me into another phase of Ayinla Omowura history-baiting. God-willing, after the ravaging COVID-19 ceases, the book will be out for launch. We will devote sizeable portion of the proceeds to further immortalizing Ayinla Omowura. We will solicit for South West governors and other well-meaning persons to buy into it by establishing a foundation in the memory of this man who lifted up the musical, cultural and language image of the Yoruba man all over the world. We would seek to get his Ogun State government home to buy into making Ayinla’s Itoko home a museum where people from all over the world can come and see where the anjonu alare (musical gnome) lived, where he churned out those prodigious songs which, 40 years after, are still enchanting and enrapturing.

 

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